From The Drawing of Three, Jack Mort is a chilling example of a predator hiding in plain sight, a man whose unremarkable exterior conceals a deeply disturbed and sadistic mind. As an accountant in a large firm, Jack thrives on blending into the mundane rhythms of everyday life, using his anonymity to mask his twisted compulsion for orchestrating “accidents” that harm or kill others, including Odetta Holmes and Jake Chambers. Though he appears only briefly in The Dark Tower series, his actions resonate powerfully, leaving a lasting mark on the lives of his victims and the larger narrative of the series.
Appearances
- The Dark Tower II: The Drawing of Three – Jack Mort is a psychopathic killer responsible for critical events in the lives of Susannah and Jake. Roland enters Jacks’s mind through the “Pusher” door, ultimately forcing him to commit suicide by stepping in front of a subway train, which prevents further harm and creates a paradox central to the series.
Backstory
Jack Mort lived a life of duality, outwardly appearing as a successful and unremarkable accountant while secretly harboring a twisted predilection for inflicting harm. Jack meticulously planned his attacks, targeting random victims he referred to as “Do-Bees,” a term that reduced people to objects in his detached worldview. He derived perverse satisfaction from acts he termed “depth charging,” such as dropping bricks from heights onto unsuspecting pedestrians or shoving individuals into oncoming traffic.
Jack’s actions had devastating consequences for his victims. He was responsible for dropping a brick on five-year-old Odetta Holmes, an event that caused her to develop dissociative identity disorder, splitting into Odetta and the violent alter ego, Detta Walker. Years later, he pushed Odetta in front of a subway train, severing her legs and deepening the psychological scars that would define her future struggles. Jack also murdered Jake Chambers by shoving him into the path of a speeding Cadillac, a death that sent him into Mid-world and reverberated throughout Roland’s journey to the Tower.
Physical Description
Jack Mort was deliberately nondescript, blending seamlessly into society with his unremarkable appearance. He was of average build, with neatly combed hair, a clean-shaven face, and a professional wardrobe typically consisting of a suit and tie. This plain exterior enabled him to move unnoticed, hiding his monstrous nature behind the guise of a respectable professional. His calm demeanor and detached expression betrayed no hint of the sadistic impulses that defined his private life, making him a master of deception and a predator uniquely suited to operate unnoticed in plain sight.
Personality and Traits
Cold, methodical, and devoid of empathy, Jack Mort embodied a terrifying form of calculated evil. He planned his attacks with meticulous precision, taking perverse pleasure in the suffering he inflicted while remaining emotionally detached. Jack’s victims were not individuals in his mind, but rather objects—“Do-Bees”—whose pain existed solely for his gratification. His ability to compartmentalize his sadistic urges allowed him to maintain the facade of a quiet, unassuming professional, further masking his true nature.
Jack’s intelligence and cunning were his greatest assets, enabling him to execute his crimes without suspicion. However, his detachment from humanity also revealed his fundamental weaknesses. Jack lacked the adaptability to respond to disruptions in his carefully crafted plans, a flaw that Roland exploited to take control of his mind. His inability to form genuine connections left him isolated, relying solely on his intellect to navigate the world. This emotional void and obsessive need for control defined his twisted psyche, making him one of the most disturbing figures in the series.
Strengths, Weaknesses, and Abilities
Jack Mort’s greatest strengths lay in his intelligence, methodical planning, and ability to blend into society. His unassuming demeanor allowed him to evade suspicion while carrying out his carefully orchestrated crimes. Jack’s precision and calculated approach to murder ensured that his actions appeared as accidents, further shielding him from accountability. His detachment from emotion enabled him to execute his plans without hesitation, making him an effective predator.
However, Jack’s strengths also revealed his weaknesses. His rigid reliance on control left him vulnerable to unforeseen events, as demonstrated when Roland entered his mind and seized command of his body. Jack’s lack of empathy or remorse isolated him, leaving him devoid of meaningful relationships and support. This emotional and psychological void rendered him incapable of adapting to challenges, ultimately leading to his downfall.
Key Relationships
Jack Mort’s relationships were defined by predation and detachment. His interactions with Odetta Holmes and Jake Chambers were marked by cruelty and indifference, as he viewed them solely as objects to satisfy his sadistic impulses. Jack’s attacks on Odetta fundamentally shaped her identity, creating the fractured duality of Odetta and Detta Walker and setting the stage for her eventual transformation into Susannah Dean. Similarly, his murder of Jake had far-reaching consequences, intertwining with Roland’s quest and creating the paradox that fueled the events of The Waste Lands.
Jack’s only significant connection beyond his victims was with Roland Deschain. When Roland entered his mind through the Pusher Door, he commandeered Jack’s body and forced him to commit acts against his will, including gathering supplies for Roland’s mission. This brief but pivotal interaction revealed Jack’s vulnerability and inability to adapt when confronted with forces beyond his control.
Role in the Dark Tower Series
The ripple effects of Mort’s actions in The Drawing of the Three are felt throughout the series. His attack on Odetta Holmes created her dual personalities, which later merged into Susannah Dean, a key member of Roland’s ka-tet. His murder of Jake Chambers introduced the paradox that shaped the events of The Waste Lands, underscoring the series’ intricate interplay between destiny and free will.
Jack’s role also highlights Roland’s evolving morality. By taking control of Jack’s body, Roland prevents further atrocities and gains critical resources for his quest. However, this intervention creates unintended consequences, illustrating the complex, often paradoxical nature of Roland’s journey. Jack’s death—forcing him to throw himself under the same train that maimed Odetta—symbolizes the cyclical nature of violence and retribution that pervades the series.
Though his presence is brief, Jack’s legacy endures, serving as a stark reminder of the destructive ripple effects of violence. His actions and their consequences illustrate the fragile intersections of fate, choice, and morality that define The Dark Tower’s narrative.